Download Yoko Ogawa Revenge Pdf
Here you will find list of Yoko Ogawa Revenge free ebooks online for read and download. View and read Yoko Ogawa Revenge pdf ebook free online before you decide to. Online download revenge by yoko ogawa Revenge By Yoko Ogawa Excellent book is always being the best friend for spending little time in your office, night time, bus, and. Download and install or check out online is offered. Why we are the very best website for. Get Revenge By Yoko Ogawa PDF file for free from our online library. Online download revenge by yoko ogawa Revenge By Yoko Ogawa Excellent book is always being the best friend for spending little time in your office, night time, bus, and.
If an enterprising reader were to map the through-lines linking the quiet, twisted (and subtly interconnected) tales of eccentric strangers and mysterious deaths in Yoko Ogawa’s new collection, Revenge, the resulting diagram would likely look something like a spider-web: Delicate, spindled, and perfectly designed for entrapment. The experience of reading Revenge is like getting caught in a beautiful, lethal web—or maybe, like wandering through a labyrinthine haunted mansion. These stories’ charm lies in their treacherous unpredictability. In each tale, it’s impossible to anticipate just what particular nightmarish turn the plot will take, or to guess what shadowy character or tiny detail from an entirely separate tale will reappear (a dead hamster left in a trashcan, a brace designed to make the wearer taller, a three-digit number used in a report). Architecture Plus Design Magazine Pdf Software.
There is a spooky fun-house quality to this collection. Even the collection’s one tale of relatively conventional romantic revenge plays out unexpectedly; in “Lab Coats,” Ogawa makes the spurned lover an employee in the sterile, rational confines of a hospital and taps an unsuspecting (and slightly enamored) colleague of the murderer to be the story’s narrator.
When the dark deed is revealed, it’s not the murder itself, but the reaction of the killer’s confidante that’s most chilling: “I feel a scream rising out of me but somehow I stop it, hold it back,” the narrator explains, “and instead I calmly imagine the scene: the knife in her pretty hand; the blade slicing into him again and again; skin ripping, blood spurting. But she’s spotless.” The real horror isn’t the death, but the drugged blindness of the narrator’s infatuation on the murderer—a fixation intense enough to anesthetize an appropriate moral or emotional response.
Translator Stephen Snyder has compared Ogawa’s work to that of Murakami, going so far as to call her “the next Haruki Murakami,” (perhaps in part because of the dream-logic of her plots and the diffidence of her protagonists); some reviewers have cited the influence of Borges and Poe as well. These comparisons are tempting, but there’s something facile about them too. Though there are dark, supernatural elements underfoot in these stories, it does not take long to notice that Ogawa works in a register entirely of her own—and is much more interested in experimenting with form than with paying tribute to any particular style. As she put it one interview: One of the constant themes in my work is the problem of “deficient excess.” Something that should, by all rights, exist is lacking, while the extraneous thing that is left achieves a kind of warped excess.
When I look back at my work thus far, I’ve described this sort of family over and over. I can’t say it was by design—it has just happened that way. Nowhere is Ogawa’s singular knack for contorting psyches and plotlines into unexpected arrangements (and her fascination with “deficient excess”) more on display than in “Sewing for the Heart,” a dark tale about a lonely tailor who specializes in making custom bags: You may be thinking that a bag is just a thing in which to put other things. And you’re right, of course. But that’s what makes them so extraordinary. A bag has no intentions or desires of its own, it embraces every object that we ask it to hold.